dmstfctn

2023.4.18 (live): Godmode Epochs
SERPENTINE, twitch
.......................................................................................................................................................................................................................................... A game where players train an AI, but they actually just frustrate it until it cheats
(release): Large Lore Models
0XPARC; 'Large Lore Models', in AUTONOMOUS WORLD N1
0XPARC
Speculative tools for decentralized narrative building, with E. Jäger and A. Milne
(demo): AI UK 2023
QEII CENTRE, london
(residency): GODMODE CHRONICLES
ARTECHO
Building a fully on-chain narrative generation game, a.k.a a 'Large Lore Model'
(press): Turret Theory
SERPENTINE
Alasdair Milne examines the simulations and configurations of dmstfctn's game
2022 (live): GOD MODE (ep. 1)
SERPENTINE, london; IMPAKT FESTIVAL
HET HUIS, utrecht; UNSOUND BUBBLES
kraków; GOD MODE (ep. 1)
HQI, london
(press): Artist conversation with dmstfctn
IMPAKT TV
A conversation on simulations and AI hosted Marijn Bril at IMPAKT festival 2022
2021 (group show): NONPLUSULTRABLACK
SYNNIKA, frankfurt
(screening): INTERFACE CHAOS ^ft SKY H1
CAFE OTO, london
(release): ECHO FX
KRISIS PUBLISHING
A book and performance about market manipulation on Brexit Referendum night; Ø
FLATLINE PRESS/HYPERDUB
(press): Demystification Committee debuts echo fx
AQNB
'The AV show revisits the sociopolitical and economic tumult following Brexit'; ECHO FX
SLEEK
'A modern tale, constructed of lies, gorilla advertising bus campaigns and ...'; REALITY CHECK AHEAD
CLOT
'If the performance was a reaction, the book is a reflection, at 0x speed ...'
2020 (live): CTM ^× TRANSMEDIALE
BERGHAIN, berlin
(solo): OFFSHORE MATTERS
AKSIOMA, ljubljana
(screening): INTERFACE CHAOS
FORUM STADTPARK, graz
(talk): Moneylab #8
AKSIOMA
A panel on artistic explorations of tax havens, led by an investigative journalist
(press): INTERFACE CHAOS ^ft SKY H1
NERO
An interview on the themes of INTERFACE CHAOS (2019), including excerpts; CHASING ILLICIT MONEY
NEW YORK TIMES
'A group of artists began a project to show how money could be moved offshore'
2019 (live): DESIGNING TIME
DESIGN MUSEUM, london
(solo): NETWORK ENSEMBLE
GLUQBAR, milan
(group show): A SCHOOL OF SCHOOLS
C-MINE, genk; PORTO DESIGN BIENNIALE
TRINDADE, porto; A SCHOOL OF SCHOOLS
LUMA, arles
(screening): Ø.29
CORSICA STUDIOS, london; PORTO DESIGN BIENNIALE
CAMPO 24 DE AGOSTO, porto; INTERFACE CHAOS
TRUST, berlin; INTERFACE CHAOS
EVENING CLASS, london
(release): Flash Demons
MILLE PLATEAUX
Audiovisual genealogy of financial algorithmic collapse, released as a custom USB
2018 (live): transmediale face value
HKW, berlin; Borderline Festival
ONASSIS, athens; Borderline Festival
ONASSIS STEGI, athens
"Approach from West India Quay, see what corpses sprouted on the Isle of Dead"; Radical Networks
SPEKTRUM, berlin
(group show): 4^th Design Biennial
ARTER, istanbul; 4^th Istanbul Design BIENNIAL
ARTER, istanbul; transmediale face value
HKW, berlin; Situation #111
FOTOMUSEUM, winterthur
(talk): Automated Lands
NEW INSTITUTE, rotterdam; Automated Landscapes
HET NIEUWE INSTITUUT, rotterdam
On infrastructures and geographies of avoidance, from data centres to tax havens; transmediale face value
HKW, berlin
On ways and means of making offshore and other financial processes visible; IMPAKT Festival
HET HUIS, utrecht
On the sonification of stock market crashes, part of a panel on algotrading; MoneyLab #4
SOMERSET HOUSE, london
A talk on offshore investigative w—i—p, part of a panel on play in art and finance; Alt-Age
DESIGN MUSEUM, london
(release): A DAY IN THE LIFE OF
SCHLOSS-POST
'The phone on the cafe table buzzes: Graham. Mark sighs. Graham is a prick'; The Offshore Economist
Rizosfera
'You are alone on a dusty desert road... You have just run out of water.....'
2017 (talk): the influencers
CCCB, barcelona
(residency): Vilem Flusser Residency
TRANSMEDIALE, berlin
(release): SELECTED NETWORK STUDIES
NUKFM
Audiovisual experiments with wireless networks, released as custom SD card